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Classical concerts featuring
Beth Taylor

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Upcoming Concerts

Concerts featuring Beth Taylor in season 2024/25 or later

February 1, 2025
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Arsilda, regina di Ponto: a vibrant Vivaldi opera

Sat, Feb 1, 2025, 13:30
La Cetra, Barockorchester & Vokalensemble Basel, Andrea Marcon (Conductor), Benedetta Mazzucato (Arsilda), Beth Taylor (Lisea), Nicolò Balducci (Barzane), Shira Patchornik (Miranda), José Coca Loza (Cisardo), Jone Martínez (Nicandro), Leonardo Cortellazzi (Tamese)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
March 5, 2025
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Joseph Haydn / Harmoniemesse

Wed, Mar 5, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Les Arts Florissants, William Christie (Conductor), Mélissa Petit (Soprano), Beth Taylor (Viola), Bastien Rimondi (Tenor), Andreas Wolf (Bass)
William Christie directs two titans of sacred music: Mozart’s Litaniae Lauretanae, described by Albert Einstein as ‘a marvel of art and youth’, followed by Harmoniemesse, one of Haydn’s most imposing compositions.
March 15, 2025
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Konzerthausorchester Berlin, William Christie

Sat, Mar 15, 2025, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)
„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.
March 16, 2025
Artistic depiction of the event

Konzerthausorchester Berlin, William Christie

Sun, Mar 16, 2025, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)
„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.
May 10, 2025
Artistic depiction of the event

Mahler Festival: Mahler's song cycle Des Knaben Wunderhorn accompanied by Julius Drake

Sat, May 10, 2025, 13:00
Beth Taylor (Mezzo-Soprano), Jusung Gabriel Park (Bass-Bariton), Julius Drake (Piano)
During the Mahler Festival, the Recital Hall is dedicated to Mahler's most beautiful songs. Perhaps today's most important Lieder accompanist, pianist Julius Drake, flanks vocalists he admires. Today, these are mezzo-soprano Beth Taylor and bass-baritone Jusung Gabriel Park.In Des Knaben Wunderhorn, Mahler chose his favourite texts from the very old German collection of the same name. He composed twelve sometimes fairy-tale-like songs. Love, faith, heroic deeds... everything floats by. They are sung by Scottish Beth Taylor and South Korean Jusung Gabriel Park. The latter is making his Amsterdam debut. Drake chooses to have some songs sung by the soloists together. 'Even though they are not necessarily written as such, there are often clearly two characters speaking,' he said in Preludium. 'And as a duet they work really beautifully.'
May 11, 2025